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The Music Recording Studio Security program (MRSSP) visits studios to perform an assessment of their ability to secure and protect physical and digital media assets.
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Get With The Programįor the past two years, the CDSA have been experimenting with a version of this service for recording studios. For a fee, the IRMA and later the CDSA would evaluate a facility and its workforce, make recommendations to enhance their security, train workers in security procedures and provide certification of compliance with their protocols. They are the successors to the International Recording Media Association (IRMA), which managed content protection and anti-piracy programs for CD and DVD manufacturing plants and film studios.
#HOW TO RECORD ON MAC WITH WUSIC DOPPLER SOFTWARE#
The Content Delivery & Security Association (CDSA) advocate “responsible delivery and storage of entertainment, software and information content”.
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However, a more formal solution for this is possible. These involve things as simple as locking storage rooms and limiting access to recording and mix areas, to more sophisticated methods that include detailed documentation of the chain of custody of hard drives and computers. Studio owners and managers have developed protocols to help prevent leaks. But those incidents are far fewer than one might suspect, if for no other reason than that most astute studio owners recognise that they would be in the crosshairs early on in the event of a leak. Given their role in the creation of music, this may not be that surprising, and certainly more than a few tracks have illicitly escaped from studios over the years. Unfortunately, though, recording studios tend to attract an undue amount of suspicion. Leaks can come from a lot of places, often as a result of someone in an entourage or posse being careless (or malicious) with a file, or the familiar trope of the disgruntled employee in the record-label mailroom. Hence the level of panic when snippets of Adele’s album 25 were leaked before its official release last November. While leaks of pre-release music resulting in substantial consequences have been with us since roughly the 1970s, they remain a huge problem today, especially at a time when so much of the industry’s revenue comes from a much smaller collection of recordings. But it’s also part of what’s estimated to be the $12.5 billion annual cost of music piracy. When music gets leaked - when a track escapes the possession of its handlers before it’s officially released for sale - it can be embarrassing, as when Britney Spears’ untuned vocals for ‘Alien’ found their way onto the Internet. What can studios do to protect themselves when high-profile recordings get leaked?